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Ken Sharp | Rock Cellar Magazine

Outspoken and brash, arrogant and opinionated, profane and vulgar, supremely narcissistic and sexist, are among the colorful descriptions both the public and media foist at KISS’ founding member Gene Simmons.

Acutely aware of how he is perceived, Simmons even named his last solo album Asshole. When meeting with the “God of Thunder,” one will notice he’s polite and gracious, proving there’s much more behind the self-proclaimed “Man of 1000 Faces.”

Currently on the road with KISS for their “Freedom To Rock” jaunt of the U.S., the band, or brand, as Simmons often likes to describe the Roll & Roll Hall of Famers, are not content to rest on their laurels and count their mountainous pile of greenbacks. Rather, they continue to press the envelope with a keen understanding of the transformative power of how a rock and roll band can be marketed in today’s world.

Yet as Simmons attests, his accomplishments with KISS have far exceeded his expectations. “It is really weird that KISS, which never really started out as anything but this bizarre dream of four knuckleheads off the streets of New York just wanting to do one record, that four decades later, the RIAA crowned us as the number-one Gold record award winning group of all time in America. It’s amazing especially since we’ve only had three hit singles, Beth, I Was Made For Loving You and Forever.”

For a group routinely dismissed by short-sighted critics as a flash in the pan, a “joke band” comprised of talentless cretinous musical goons soon to be forgotten and quickly discarded on the junk heap of failed rock bands past, KISS are having the last laugh. Detractors be damned, 46 years since the original band–Paul Stanley, Gene Simmons, Ace Frehley and Peter Criss–first came together, in 2016 KISS continue to transcend the parameters of what a rock band can do.

Whether starring in their own Scooby Doo cartoon (Scooby Doo & KISS: Rock & Roll Mystery), teaming up with menswear designer/clothier John Varvatos or collaborating with Japanese teen sensations Momoiro Clover Z on Samurai Son, the band’s first # 1 single in the “Land of the Rising Sun,” yesterday and today KISS stubbornly follow the beat of their own drum and continue to thrive, loudly.

Witness their latest “Freedom To Rock” tour, which is drawing in a significant generation of younger fans eager and excited to be baptized, KISS-style. We sat down with the band’s resident “God of Thunder,” Gene Simmons, who offered a primer in all things KISS, past, present and future.

Rock Cellar Magazine: The new KISS tour is labeled the “Freedom to Rock” tour. When did you first feel the freedom that music provided as a creative outlet?

Gene Simmons: That’s a very good question. When you’re a pimple-faced little kid, we’re all trying to figure out where we fit on the chess board of life. We try to sort of hang to or latch on to that thing that makes us acceptable and it’s usually not mathematics, unfortunately, or sciences. The kid that put in the time to excel at math and science, the rest of the kids at school don’t just go, “Oh yeah, I need to hang out with that guy.”

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Kory Grow | Rolling Stone

Rush‘s Geddy Lee and Alex Lifeson share stories from their mid-Seventies tour with Kiss in a new documentary, Time Stand Still, which will play in theaters next month. While on the road, Lifeson used to put a paper bag on his head and put his hands through his pants to entertain his bandmates and Kiss guitarist Ace Frehley. He called his character “The Bag.” The film will screen in multiple theaters for one night only November 3rd before its DVD and Blu-ray release on November 18th.

“Bring the Bag over here,” Lifeson says in a clip, doing an impression of Frehley in a high-pitched voice. “Howie, where’s the Bag?” Lee echoes, referring to the band’s lighting director.

They would fool around, much to the consternation of Kiss’ Gene Simmons. “Gene was very, very upset with the Bag,” Lifeson recalls, “and that made Ace even happier.”

“Gene was straight,” Lee said. “He wasn’t high like we were. He had a different sense of reality when he came into Ace’s room. We were drinking and smoking and generally being idiots.” Lee goes on to tell a story about how Simmons clashed with Lifeson when they had two women in Frehley’s room.

Time Stand Still provides a look at the group’s R40 tour with narration by Paul Rudd. Lee, Lifeson and drummer Neil Peart all participated in interviews for the film. The film will be accompanied by 20 minutes of extras, including interviews with Simmons, Red Hot Chili Peppers’ Chad Smith, Foo Fighters’ Taylor Hawkins, Heart’s Wilson sisters, Thin Lizzy’s Scott Gorham and producer Nick Raskulinecz. Continue reading →

Lyndsey Parker | Yahoo Music

Sitting side by side at X Japan founder Yoshiki Hayashi’s Los Angeles recording studio to discuss the new X Japan rockumentary We Are X, Yoshiki and KISS bassist/mouthpiece Gene Simmons don’t seem to have much in common. Yoshiki is sweet, serious, and slight; Gene is loud, brash, and 6’2” even sans his signature platform-footed dragon boots. But the two are in many ways kindred spirits, united by their unwavering belief in the power of rock ‘n’ roll. They’re also two of the only rock stars to ever be immortalized by Sanrio as Hello Kitty dolls — Yoshiki’s doll even has a name, Yoshikitty — which says a great deal about Yoshiki’s international superstar status, even if the classically trained Japanese rocker still isn’t a KISS-level household name in the States.

“It’s amazing. Miracles can happen,” grins Yoshiki, seated beside Simmons and a cluster of Hello Kitty figurines at one of his deluxe studio’s many grand pianos. “I’m sitting next to Gene Simmons, and he’s talking about my band. It’s like, that’s unbelievable.”

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