Nothin’ To Lose – The Making of KISS – 1972 – 1975: The Story of How My Two High School Buddies, Starchild and Monster, Made It Big!

Binky Philips | Huffington Post

headshotBinky Philips will be one of the many special guests at the New Jersey KISS Expo on September 28th.

Gene Simmons In Full KISS MakeupSchool year, 1969/1970…

There were three guys at the High School of Music & Art in New York City who owned a Gibson guitar, the true no-argument Rolls Royce of guitar companies.

There was me. I had a 1962 SG – style Les Paul.

There was Murray Dabby, the best player of this trio, who owned a 1965 SG Standard, almost the same guitar as mine, just a few years newer.

The third guy had a 1960 Les Paul Special, the model just below mine.

This Gibson connection was a bond.

I grew up to be… what? I don’t even know. A guitarist? A writer? A music biz sleaze ball? All of the above?

Murray grew up to be a full-fledged shrink, doing the good work, in Atlanta.

The third guy was Stan Eisen. He grew up to be Paul Stanley, Starchild, Global Icon.

All three of us still play guitar.

While Murray and I were tight, very much a bro, oddly, it was Stan who I stayed in touch with after graduation. He left the year before me. I’m 374 days younger.

One day, Stan called to tell me he’d just legally changed his name to Paul and it would mean a lot to him if I started calling him by that name.

I said, “Sure, Stan.”

“Ummm, well, you just called me Stan, Binky.”

“Oh, wow, sorry, PAUL.”

For the record, my headline is pure nonsense. I met Gene a year after graduation.

A few years later, July 13, 1973, Paul, Gene, and I were sharing the stage at the now-gone Hotel Diplomat on West 43rd St, just off Times Square. I was the lead guitarist of The Planets. We opened for KISS that night.

Paul and I have never really lost touch. Watching a goofy pal go from struggling guitar dope to Rock Royalty has been a trip, I can assure you.

Which is where I’m gonna segue into a review of the latest, and possibly tastiest, of all the various KISS ‘n’ tell books out there on the decades-thriving spectacle that is KISS, Nothin’ To Lose – The Making of KISS – 1972 – 1975 by Ken Sharp with Paul Stanley and Gene Simmons, out now on !T Books.

Comprised of over three years’ worth of interviews with well over 200 individuals who, in one way or another, interacted with KISS as a band or as individuals. Managers, knucklehead band guys from New York City, famous rock stars, record label peeps, roadies, promoters, writers, studio rats, anyone who had anything of worth to contribute, Detective Ken Sharp tracked down, and grilled. Yes, I’m one of them.

Ooops, yes… Sorry. FULL DISCLOSURE: I’m all over this freakin’ outstanding book.

Way back when, Paul and Gene had (to my surprise and gratification) a great deal of respect for my opinion. That’s why they invited me down to just their third rehearsal with Ace… to see what I thought of the ‘new’ guy’s playing. It kinda felt like he was still on ‘probation,’ frankly.

So… Yes, I saw them perform “Strutter,” “Deuce” and “Firehouse” in their dingy hole of a room on the 4th floor of a truly decrepit building… 10 East 23rd Street… soon torn down, actually.

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KISS band member Paul Stanley recalls birth of the band

Richard Ouzounian | The Star

Back when Paul Stanley and Gene Simmons were forming the glam rock entity known as KISS, they had to improvise for their theatrical look. For instance, their studded collars came from a pet store.

“They had made them for Great Danes to wear,” says Stanley, on the phone from a Staten Island bookstore, where he’s preparing to sign copies of Nothin’ to Lose: The Making of KISS.

Stanley says he wanted the band to be “intensely performance-oriented, without turning it into musical theatre. So we needed a flamboyant visual look, but what?

“We were too big to do the androgynous thing. It’s one thing when you have a guy who’s as skinny as my wrist wearing his sister’s clothes. It’s something else when you’re a linebacker trying to squeeze into it.”

The book, newly published by HarperCollins, is by Stanley and Simmons with music historian Ken Sharp.

It’s made up of first-person remembrances of the band, both from its creators and the people on the other side of the footlights.

“History is always interesting if you view it from a bunch of perspectives,” says Stanley. “You get lots of varied views from people watching the same car accident from different corners.

“I’m happy that the book doesn’t just have our memories, but those of the people who were looking at us from the outside. You remember what they always say about the forest and the trees.”

Stanley and Simmons were kicking around in 1971 as a not-quite-making-it group called Wicked Lester when Stanley decided it was time to define what he wanted out of his career.