Dan Epstein | Rolling Stone
There are two sides to every story. Unless, of course, you’re talking about Kiss, in which there are now four. With the April 8th publication of Paul Stanley’s Face the Music: A Life Exposed, the Rock and Roll Hall of Fame nominees will have seen each of its original members publish a tell-all memoir. Paul’s book follows in the platformed footsteps of Gene Simmons’ Kiss and Make-Up (2001), Ace Frehley’s No Regrets: A Rock ‘N’ Roll Memoir(2011) and Peter Criss’s Makeup to Breakup: My Life In and Out of Kiss (2012). But in certain instances, the bandmembers appear to have some diverging memories of key moments in the group’s history. We hit the books to try and figure what happened.
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DESIGNING THE KISS LOGO
Ace
“Being excited about my new band, I roughed out a sketch of the original Kiss logo in no time at all. It wasn’t a whole lot different than the logo as it appears today. My original concept featured the twin S’s in jagged detail, like lightning bolts, and a small dot in the shape of a diamond over the letter ‘i.’ I then transferred the logo to a button using a felt-tip pen and presented it to the group . . . Everyone loved it. Paul was a trained artist, so when things got really serious he polished my design, making everything nice and neat.”
Paul
“[Ace] was a pretty decent artist. I took his sketch and used it as the basis for a series of Kiss logos I designed, ultimately arriving at the one that has adorned all things Kiss for the past forty years. I vividly remember sitting on my parents’ sofa while they were out of town and drawing up the final version on thick white stock using a straightedge and a drafting pen . . . Ace’s concept was closer to the Nazi SS. I certainly suspected that was his inspiration, and the fact that a few years later he bought Nazi memorabilia on our first tour confirmed this in my mind.”
Gene
“I remember very clearly when our picture went up on the outside of the club [the band was playing], Ace took a marker and wrote our new name right on the picture. The way he drew it was pretty crude, but it resembled our logo, with the two S’s like lightning bolts at the end of the word.”