SLASH: Why PAUL STANLEY Told Me To Go Fuck Myself

Blabbermouth

Slash has commented on a story in Paul Stanley‘s autobiography in which the KISS frontman claimed that he had to teach the former GUNS N’ ROSES guitarist a basic lesson in rock and roll diplomacy more than 25 years ago.

In “Face The Music: A Life Exposed”Stanley recalled the time he was asked to meet with the members of GUNS N’ ROSES, who were about to start work on their now-classic debut album, “Appetite For Destruction” album. Although Stanley claims he wasn’t all that impressed at first, describing guitarist Izzy Stradlin as “unconscious, with drool coming out of the side of his mouth,” and Slash as “half-comatose,” the KISS guitarist-vocalist was nice enough to show Slash how to tune his guitar in the five-string open-G method preferred by Keith Richards, and offered to put the GN’R axeman in touch with people who could get him free guitars. Paul then went to go see GUNS N’ ROSES play two small Los Angeles-area club shows, which he described as “stupendous.” According to Ultimate Classic Rock, it was an incident at the second of those concerts that created the initial rift between Slash and Stanley. “They weren’t happy with the guy mixing their sound,” Stanley wrote in his book. “And Slash asked me out of the blue to help out. Decades later, Slash‘s recollections of the night would be faulty at best. He liked to pretend I had dared to meddle with their sound.”

Stanley continued: “Immediately after my interactions with the band, I started to hear lots of stories Slash was saying behind my back — he called me gay, made fun of my clothes, all sorts of things designed to give him some sort of rock credibility at my expense. This was years before his top hat, sunglasses and dangling cigarette became a cartoon costume that he would continue to milk with the best of us for decades.”

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Dee Snider to Gene Simmons: ‘Rock Is Alive and Well, Business Model Is Dead’

Ultimate Guitar

“While I have nothing but respect for Gene, he couldn’t be further off the mark. Yes, the rock ‘n’ roll ‘business model’ that helped KISS (and my band for that matter) achieve fame and fortune is most certainly long dead and buried, but rock ‘n’ roll is alive and well and thriving on social media, in the streets, and in clubs and concert halls all over the world. And the bands playing it are more genuine and heartfelt than ever because they are in it for one reason: the love of rock ‘n’ roll.

“Spend some time seeing and listening to these incredible young bands and their rabid fans and you will know that rock ‘n’ roll couldn’t be more alive. Yes, it’s not the same as it was for the first 50 years of rock’s existence, but the fire definitely still burns.”

Explaining what actually killed rock in his opinion, Snider added, “And it wasn’t some 15 year old kid in Saint Paul, Minnesota (to paraphrase Mr. Simmons) who killed the rock ‘n’ roll goose that laid the platinum egg… it was greedy, big city, record company moguls who made their own velvet noose to hang themselves with. It was they who took advantage of the consumer (and the artist for that matter) and drove them to use an alternative source of music presented to them.

“For example, take the bill of goods the record industry sold the mainstream public when introducing the CD format. ‘We have to charge more for it, because it’s a new technology and there’s a cost to setting up the infrastructure to produce them.’ The consumer believed them – it made sense – so they paid a $18.98 list price for a product they had been paying $7.99 list for previously. After all ‘you can’t break a CD with a hammer!’ (Remember that?)

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