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Planet Rock conducted an interview with original KISS guitarist Ace Frehley at the 2015 edition of the U.K.’s Download festival, which was held last weekend in Donington Park. You can now watch the chat below.

Asked what he is going to be working on for the remainder of the year, Ace said: “I’m working on a new covers and remix record for eOne Music, and in Europe, it’s SPV. And after that, I’ve already started working on a new studio record. And between those two things, I’m touring, and I’m doing a cruise after the New Year to the Bahamas, I think — a classic rock cruise. So that’s gonna be a lot of fun. That’s a first for me.”

“Space Invader”, the first new solo album from Frehley in five years, sold around 19,000 copies in the United States in its first week of release to land at position No. 9 on The Billboard 200 chart. The CD arrived in stores on August 19, 2014 via Entertainment One Music (eOne Music).

Ace‘s previous CD, “Anomaly”, opened with around 17,000 units back in September 2009 to debut at No. 27.

“Space Invader”, which was made available in Europe on August 18, 2014 (three days earlier in Germany and Scandinavia) through SPV/Steamhammer, included 11 brand new original songs as well as a cover of Steve Miller‘s “The Joker”.

Marc Burleigh | Business Insider

Downloading may be eviscerating the music industry, but rock legends KISS say they are pioneers in monetising their image — from a limo service, cruises, and even lunch with “Lord Simmons”.

The US band recognises it has escaped the worst impact of the availability of cheap music online thanks to the fact that its glory years were in the 1970s and 1980s, when the Internet was in its infancy.

Now, while exploring other ways to profit from its huge following, the band is also standing up for new, unknown talent struggling to win financial backing from music companies.

“It doesn’t hurt us, it only hurts new bands, and that’s the sad part,” said Gene Simmons, the 65-year-old bass guitarist and co-lead singer, his face streaked with demon-like paint.

“Where’s the next Beatles? Where’s the next Stones? Where’s the next Elvis? Where’s Prince? Where’s anybody?” he asked.

Eric Singer, KISS’s 57-year-old drummer, whose make-up was done in his trademark cat face, said: “The mentality of young kids, they just think it’s OK, it’s common to go ‘Oh, I’ll just go online and get the music.’ They don’t realise you’re supposed to pay for it.”

He added that “rock ‘n’ roll’s not dying because of the bands or fans not buying it — it’s because there’s not a business to support it.”

Singer boasted that KISS had pioneered the exploitation of its brand, blazing a path that many other top artists now follow in a bid to prop up sagging record sales.

“There’s no doubt almost everything you see in a live rock or pop setting performance stagewise and all that, merchandise and everything… at the forefront was KISS.”

“If you’re in Las Vegas, go and play golf at our golf course…. If you want to hop into a limo, hop into our limo service: KISS Limos…. (and) we’re doing the KISS Kruise,” Simmons said.

The cruise sails from Miami to Jamaica later this year on board the Norwegian Pearl, “the central hub for all KISS maniacs worldwide”, according to the Kiss Kruise website.

“What’s more rock ‘n’ roll than mini-golf?” the website for the band’s Las Vegas branded mini-golf course observes blithely.

Singer added that a lunch with “Lord Simmons” was also available, for a price.

– ‘Utter idols’ –

The pair spoke to AFP just before performing at a Paris concert midway through a worldwide tour.

The tour is celebrating the band’s 40 years of performing, but the songs that drew the biggest welcome at the Paris concert were standards from its early years.

People in the venue, the 6,000-place Zenith in northeast Paris, cheered loudly when “I was Made for Lovin’ You” and “Rock and Roll All Nite” wrapped up a show that featured the band’s signature stage pyrotechnics and over-the-top posing.

One of their revenue-spinning activities could be seen backstage before the concert: around 100 people lining up to get individual photos with the band as part of a VIP package costing 1,000 euros ($1,100) each.

“They are our utter idols. This is a boyhood dream,” said one French fan, an 18-year-old student named Lucas Chaplin.

WENN | Contact Music

The KISS veteran was awarded the Legend title at the prizegiving, held at London’s IndigO2 venue, while Queen guitarist May was handed the Riff Lord prize and Megadeth frontman Mustaine won the ceremony’s most coveted award, the Golden God.

Mustaine took a ‘selfie’ picture with the audience from the stage and uploaded it to Twitter.com, adding, “Thanks to @MetalHammer for such a great night! I am still smiling and so humbled…” while May took a picture with his award and wrote, “Thanks Metal Hammer for naming me Riff Lord, and for a great evening…”

Slipknot won Best International Band, Bring Me The Horizon were named Best U.K. Band and Of Mice & Men won the Best Live Band award. Other winners include KISS guitarist Tommy Thayer, who was named Defender of the Faith, Richie Faulkner won the Dimebag Darrell Shredder Award and Faith No More won Best Album for Sol Invictus.