If you bought any records from KISS, Bon Jovi, or Aerosmith and read the songwriting credits the name Desmond Child always popped up. Desmond Child has been the man behind the scenes writing hit songs such as Aerosmith “Angel”, KISS “I was made for lovin’ you, Bon Jovi “Living on a prayer”. He has had a career now spanning 5 decades and numerous hits and number one songs. Desmond Child has no plans of slowing down anytime soon. Last October he released a live album Desmond Child Live he has finished writing his biography Livin’ on a prayer Big songs, Big Life to be released later this year and has plans on putting out new music and do live shows. It is good to be a Desmond Child fan these days with a lot of things to look forward to. I had an opportunity to talk to Desmond Child about everything from writing with Paul Stanley to details about his book and live album.
Angel Alamo: How did you come up with the idea to do the live album (Desmond Child Live) that you just released?
Desmond Child: Desmond Child Live. After many, many years of not performing, because the last time I was performing was with my group Desmond Child and Rouge back in the late 70’s. I decided to do a show of my own. Which was actually the first time I’ve ever done a show that was me, a solo show. It’s the first time I was ever performing and I wanted… I’m back in New York City where I started out and I found this gorgeous little club called Feinstein’s/54 Below. Which is underneath the original Studio 54 but I think down there that was kind of like orgy room or where everyone took drugs and stuff originally. But now it’s a very chic club and I brought together a lot of my friends and musicians that I had played with during the years and Desmond Child and Rouge with Maria Vidal, Miriam Valle and Diana Grasselli.
Desmond Child: I had a ball. We performed over three nights. Lena Hall sang her jazz song, “I Hate Myself for Loving You” and Justin Benlolo a young, new talent, he’s 22 years old, sang some of the songs that were too high for me to sing. Like, “Dude (Looks Like a Lady)”, and “You Give Love a Bad Name”, “How Can We Be Lovers?”. He did the heavy lifting and I sang more like the ballady kind of songs and we just had a ball. I’m very proud of the record. Turned out great. And we also did a version of that show on PBS, a show called Live at the Kate so I had some different guest artists on that. Deborah Cox and Amanda Gonzalez from Hamilton came up and sang. I’ve just been getting out there with music. After this live album, I’m going to be releasing singles on BMG, which is my label, that are duets stars that I’ve worked with. My first ones with Alice Cooper.
Desmond Child: We’re going to be putting that out in April and I’m just going to keep dropping music. And the whole music business has had a system where it’s like, you make an album and then you release it, up-tempo songs, your first single. Hoping it’s catchy and then maybe leads people to buying the record. And I think all bets are off now because the way the Spotify space works, you can record a song that day and release it that night and it’s very egalitarian.
Desmond Child: I love that and it’s a very different world and you don’t have to worry about genres and this and that. You can just put out your music and make your own genre, make your own market. And so it’s been very exciting to be free of the way it used to be. That’s why I waited so long, it was so daunting to get a record deal then you wait a year for finally your record to come out and then if it doesn’t test well then you’re dropped from the label. All of that stuff. I think the way it is now, artists can just grab their careers into their own hands and make things happen.