Spooky Empire has been postponed to November 1-3, 2024 due to Hurricane Milton! Your tickets will transfer to the new date.

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Genesis Publications has announced “Rock Visions: Rock ‘N’ Roll Graphics From The Print Age”, a stunning collection of memorabilia from 12 of the most legendary bands and artists of our times. Published in a highly collectable limited edition of only 500 numbered sets, each copy is individually signed by Sir Elton John and curator Rob Roth, with Artluxe copies also including a fine art print signed by Alice Cooper.

“Rock Visions” chronicles the art of 12 titans of rock: Alice Cooper, BAD COMPANY, David Bowie, Elton John, JOURNEY, KISS, LED ZEPPELIN, PINK FLOYD, QUEEN, THE ROLLING STONES, STEVE MILLER BAND and THE WHO. From original tour programs to backstage passes, concert tickets, t-shirts, posters, and record sleeves, “Rock Visions” documents the graphic legacy imprinted on modern culture by the biggest names in rock — an astounding showcase of over 1,700 rare, vintage treasures.

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If you want to know who played which instruments on a Kiss album, the liner notes will probably not tell you the complete story.

“A lot of the Kiss records, they way things are done is that sometimes the instruments that you think are members of the band are not members of the band at all, or the member of the band you think is playing the instrument,” Gene Simmons explains in the band’s 2005 book Kiss: Behind the Mask.

Below you will find a list of 17 musicians who secretly performed on one or more of the band’s studio albums, including four members who would later wind up officially joining Kiss.

Of course, to maintain the band’s mysterious image, none of these guest musicians were listed on the original credits for the albums on which they performed. “They wanted to make it seem like the group is playing everything,” Lou Reed and Alice Cooper guitarist Dick Wagner (who played on two Kiss albums) explained in Behind the Mask. “So at that particular point in their career they didn’t really want to give credits. I’m sure today they’d feel differently. There’s always a feeling of ‘It would be nice if they gave me credit.’ But to say that it made me crazy, no. I had a lot of fun with them. They’re great guys, it was fun to hang out with them.”

Dick Wagner
Destroyer (1976), Revenge (1992)

Dick Wagner, who had worked with Bob Ezrin on classic albums by Lou Reed and Alice Cooper, was recruited by the producer for some secret contributions on Kiss’ 1976 album Destroyer. He can be heard on “Beth,” “Flaming Youth,” “Great Expectations” and to Ace Frehley‘s extreme displeasure, performing the solo on “Sweet Pain.” “I had done a solo on ‘Sweet Pain’ and it was okay,” Frehley recalled in Behind the Mask. “I said, ‘Maybe I’ll come in tomorrow and take another shot at it.’ Instead… When I first played the record back, I go, ‘That’s not my fucking solo! What the fuck is this shit?’ I called Gene and tore him a new asshole. He gave me some bullshit saying, ‘We tried to call you but we couldn’t find you.’ one of many bullshit stories, lies, lies, lies.” (Frehley’s solo was restored for 2012’s Destroyer: Resurrected reissue.) When Erzin teamed up with Kiss for a third time on 1992’s Revenge, he called in Wagner once again for the solo on the ballad “Every Time I Look at You.”

Jimmy Maelen
Love Gun (1977)

Jimmy Maelen was a highly popular studio musician, playing percussion for everybody from Roxy Music, Peter Gabriel, Dire Straits, Madonna, Duran Duran and David Bowie. His conga playing added an exotic dimension to “Almost Human” from 1977’s Love Gun.

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