Gene Simmons Accuses Ace Frehley Of Plagiarism

Simmons claims Frehley’s solo on Kiss’s ‘She’ copies The Doors’ classic note-for-note.

Rock music is no stranger to borrowed riffs and recycled solos, and even Kiss are no exception. Bassist Gene Simmons recently shed light on one particularly contentious incident, claiming ex-bandmate Ace Frehley’s guitar solo on the band’s 1975 track “She” was effectively lifted “note-for-note” from The Doors’ 1968 classic “Five to One.” During his appearance on The Magnificent Others podcast hosted by Billy Corgan, Simmons recalled how the situation came to light through conversations with Pearl Jam guitarist Mike McCready, who mentioned Frehley’s playing had significantly influenced him.

Specifically, McCready stated one of the first solos he learned was from Kiss’s “She,” which he later used as inspiration for Pearl Jam’s hit “Alive.” Simmons recounted McCready’s shocked reaction when he revealed, “I said, ‘Mike, I don’t know how to tell you this, but that’s a note-for-note guitar solo from the Doors [Five to One].’ Ace liked it so much, he just reproduced it. He goes, ‘No!'” Simmons added, “My point is, it’s always very appreciative when somebody says, ‘Loved your stuff.’ Everybody’s got bits and pieces of stuff.”

This admission from Simmons sparked immediate conversation about how prevalent musical influences and borrowing can be. Indeed, rock music has long been embroiled in allegations of appropriation, with iconic songs like The Beach Boys’ “Surfin’ USA” credited as a lift from Chuck Berry’s “Sweet Little Sixteen.” Even more notable is the case of George Harrison, whose single “My Sweet Lord” closely followed the melody of the Chiffons’ “He’s So Fine.”

Despite this, Simmons was quick to argue for the legitimacy of borrowing. He emphasized, “Listen to Zeppelin songs, you’ll hear lots of blues, very recognizable blues songs.” This acknowledgment pointed out the little-discussed reality of musical inspiration within the industry, where artists often recycle ideas. Yet, Simmons’ comments particularly shine a light on Ace Frehley’s sometimes overlooked influence and the legacy he built within rock music.

Reflecting on Frehley’s audition for Kiss back when he was seeking to join the band, Simmons recalled the memorable impression Frehley left. “We auditioned players… And Ace [comes in and] plugs in and starts playing. I walked up to him and said, ‘Buddy, you’d best sit down before I knock you out. What are you doing? We’re talking.'” This anecdote showcases the confidence and carefree nature of Frehley, which would become part of his legendary persona.

Simmons’ comments not only raise questions about Frehley’s originality but also about the nature of artistic influence and sharing within the music community. Musicians have for decades stood on the shoulders of giants—borrowing riffs, musical phrases, and lyrical ideas from predecessors. The overlap of influence is not just common; it is often celebrated as part of what drives the evolution of styles within rock and pop music.

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“I glared at him and stuck out my tongue, lowered my head so we were face-to-face with each other and said, ‘Aaahhhh!’”: Gene Simmons recalls the rivalry between Kiss and Black Sabbath in the ’70s

Kiss star Gene Simmons says it very simply: “I’ve always loved and admired Black Sabbath. And can proudly say the early days of touring together will be a lifelong memory.”

But as he admits, there was a fierce rivalry between Sabbath and Kiss during their brief time together on a US tour in 1974.

Gene recalls: “The Sabbath of 1974 had all the adrenaline of a new band in a strange land doing what they believe in. There was no question Sabbath was going to do things their own way. Love them or hate them, this would be a band that would mark its own territory like an animal.

“Kiss was touring on its first album. We got an opening slot, thankfully, on the Sabbath tour… but only for three or four shows.

It was at the Boston Theater in 1974, if memory serves me correctly…

“I was backstage fully made-up and ready to go out on stage with the band. Standing next to me was the great Geezer Butler. All five feet six inches of him! In my platform heels, I stood at about six feet nine inches tall.

“It’s in my DNA – once the war paint was on, I became The Demon. And Geezer didn’t quite know what to make of me.

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The Stylistics announce new album featuring Shania Twain, Gene Simmons, Ronnie Wood, and more

The Stylistics have released a new single, ‘Yes, I Will’, featuring Shania Twain ahead of their upcoming album, Falling In Love With My Girl.

Legendary Philadelphia R&B group The Stylistics have released a Valentine’s Day single with the iconic Shania Twain.

Yes, I Will’ was written by Twain, and is the lead single from The Stylistics’ first album in nearly twenty years – Falling In Love With My Girl. The album is set to release on February 21.

“I’m not known for making soul records but soul has always been a big influence for me musically,” said Twain. “I’m so in awe of The Stylistics for their natural talent and effortless delivery.”

“I fell in love with Shania Twain the first time I heard ‘You’re Still the One’ – a great song that I still love,” said Airrion Love, one of three Stylistics members. “When we heard there might be a chance to do something with her we said “Hell yeah!””

Falling In Love With My Girl is set to feature a range of high-profile musicians, including Ronnie Wood of the Rolling Stones, Bill Champlin of Chicago, Gene Simmons of Kiss, Billy F Gibbons of ZZ Top, Justin Hawkins of The Darkness, The Real Thing, and Tower of Power

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