Gene Simmons Makes Rare Unpaid Social Media Endorsement For IHOP

KISS bassist Gene Simmons, known for his business acumen and monetization of the KISS brand, recently shared an unexpected post on Instagram. The rock star’s promotional post for IHOP restaurant chain marked a departure from his usual business practices. He explicitly stated it was unpaid.

“We’re going international. @ihop And no, they did not pay me to post this,” Simmons wrote in his caption.

The unusual nature of the post prompted surprised reactions from fans. One commented, “you mean you posted it for FREE?” while another playfully noted, “So your HUMAN?!?!? Welcome to average people Life!!!!”

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TOMMY THAYER, LEAD GUITARIST OF KISS, WILL JOIN GENE SIMMONS AND PAUL STANLEY FOR A ONE-OF-A-KIND KISS UNMASKED ELECTRIC SHOW

May be an image of 3 people and text that says 'ነ ARM እእናነ EaSdry STORMS DEGAS BILL I STARKEY KISS ARMY FOUNDER'
May be an image of 3 people and text that says 'ነ ARM STORMS VEGAS BLACK 'Ν BLUE'
May be an image of 1 person and text that says 'ነ ARM STORMS DEGAS SEBASTIAN BACH'

In addition to Bruce Kulick, we have some more special guests to announce for KISS Army Storms Vegas – the hottest fan festival Las Vegas has ever seen.

We also welcome Black N Blue and former frontman of Skid Row, Sebastian Bach! The celebration continues with not one, but two cover bands of KISS – namely KISS Nation & Mr Speed. Last but not least, we are joined by the founders of the KISS Army – Bill Starkey and Jay Evans.
If you haven’t had a chance to check out the packages yet, visit kissarmystormsvegas.com and get your ticket now!

Paul Stanley Revisits His Signature Look for a New Ad Campaign

While KISS may have said goodbye to the stage for good in December 2023, the spirit of the band lives on… and makeup included. Paul Stanley, co-founder and lead singer of KISS, surprised fans by reprising his classic “The Starchild” persona for a new commercial for the business software platform Workday.
The ad marks the first time Stanley has donned his Starchild makeup since KISS’ historic farewell at Madison Square Garden, where the band announced that “KISS as we know it is over,” before introducing their digital versions at the show’s close.
In this ten-second teaser, Paul Stanley appears fully decked out in his signature makeup. The commercial maintains the humorous tone that has characterized Workday’s campaigns, with the “rock star” serving as a metaphor for business leaders who use the platform.
Stanley previously partnered with Workday in 2023 during the Super Bowl, alongside other rock icons like Ozzy Osbourne and Billy Idol. In that campaign, the stars poked fun at how companies called their most effective employees “rockstars,” reminding them who the real deal are.
However, this is the first time since KISS officially left, Stanley has worn makeup again, which has sparked nostalgia and excitement among fans. We’ll get to see more of this Starchild project on April 7.
From KISS Army Pavia

Area Resident’s Stylus Counsel | It’s Cold Schnapps Time Again

I recently acquired a pal’s record collection and there was an interesting cultural curiosity found amongst the many ’70s and ’80s albums.

In particular, he had a great many KISS albums — multiple copies, even. Some had the original posters and booklets. My favourite is the mural you ended up with if you were dedicated enough to buy all four of the band’s 1978 solo albums. In the case of every solo album — except Ace Frehley’s — the poster was the best part.

Hardcore collectors who already had the solo albums could go one step further by picking up a copy of the rarer Best Of The Solo Albums record, which was released in 1978 and 1979 in the Netherlands, Germany, France, Australia, New Zealand, Rhodesia, South Africa, Argentina and Chile. The album was actually issued under a variety of similar names and designs, but all had the same tracklist. Where things get interesting is the German and French pressings. The copy I inherited is from Germany. The KISS logo is different.

Stepping back — for those who don’t know — the band’s famous logo was initially designed and drawn by Frehley and later finessed by Paul Stanley. The most distinctive feature — the lightning-bolt SS — is eerily similar to the insignia of the Nazi Party’s Schutzstaffel. Literally, a “protection squadron.” Hitler’s SS grew from a small guard unit to the foremost security agency within Germany and German-occupied Europe during the Second World War. They were notorious and feared for surveillance and state terrorism. So the KISS logo was banned in Germany.

Stanley (born Stanley Eisen), like Gene Simmons (born Chaim Witz), is Jewish. He says his father was never a fan of the logo. Stanley says he never intended the logo to be controversial. “As a Jew, I was sensitive about the SS, and Gene’s family had survived the Holocaust,” he wrote in his memoir, Face the Music. “Our logo was banned in Germany because Nazi imagery was illegal there. When I drafted the logo, I certainly never intended to court controversy at the expense of victims of history. I didn’t want that on my conscience.” As a result, KISS has a special German logo where the SS looks more like a backward ZZ. It’s on all of their album artwork, merch and even the illuminated logo behind them on stage.

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‘I’d Walk Into a Session With the Solo Completed, and the Producer Would Say, ‘I Don’t Like It”: Ace Frehley Explains His Approach to Solos

Ace Frehley reflected on recording “Rocket Ride“, noting how he didn’t compose his solos in advance “90 per cent of the time.”

If one had to choose a single guitarist to serve as the embodiment of intuitive playing, Ace Frehley would without a doubt be one of the first choices. Ace’s playing during early KISS shows seemed almost like great licks simply flowed out of him, and this doesn’t seem to be very far from the truth.

In a recent interview with MusicRadar, the original Starman noted how “Rocket Ride”, a major milestone in the guitarist’s career, simply happened with zero planning. The song, which features Frehley on vocals, bass, and guitar with Peter Criss manning the drums, was the second time Frehley sang lead in KISS, following “Shock Me”. Those two songs made Frehley confident in his singing chops, as the guitarist explained:

“Once I had a track under my belt, it gave me confidence. It made me realize that Paul and Gene weren’t the only lead singers in the band. I still don’t consider myself a lead singer. But after ‘Shock Me’ and ‘Rocket Ride’, and all my other albums, a lot of other people do!”

“I don’t even remember if Gene and Paul played on this one. How long ago was this, like 50 years ago?”

Frehley’s choice of gear was similarly spontaneous, as the guitarist recalled:

“But ‘Rocket Ride’ was interesting because I used a flange on the main riff and a wah-wah on the solo, which was unusual for me. I have no idea why I did it, though! In those days, I used to bring over whatever I had to the studio, I’d experiment, and stuff would happen.”

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“Gladiator music”: The hard rock album Paul Stanley adores

If you were to ever pick someone who embodied the complete stereotype of a rock star, Paul Stanley would be up there. No offence to him – that’s not to say his story or contributions to music are in any way run of the mill – but when it comes to the typical tropes of sex and drugs and rock and roll, it’s fair to say he’s seen it all.

In many ways, Stanley has lived a life, both literally and metaphorically, with stars in his eyes. But aside from physically donning the iconic face paints of his Kiss persona, this status also granted him an all-seeing perspective on the rock music canon at large, casting his defining view over many bands and tunes that would either become stratospheric or crash and burn.

But Stanley himself could have only learned this trade from the greats, and there was one band in particular who had his undivided attention when imparting their masterclass on being rock and roll legends. That was naturally AC/DC, the inimitable Australian force that took the world by storm throughout the 1970s and ‘80s, just when Kiss themselves were gearing into life.

Speaking of the band and his favourite album of theirs to Louder Sound in 2023, Stanley enthused: “With Back In Black the band’s sound was polished to some degree. They were building on what they’d done before, moving forward. That kind of bare-bones grit they had in the early days was replaced with this driving sonic overload. But it was so brilliant. I thought what was gained overrode what was lost.”

Yet Back in Black, surprisingly, does not take the crown of AC/DC’s best effort in Stanley’s eyes. Instead, it was their follow up record, For Those About To Rock from 1981, that holds the most special place in his heart. Reflecting on the album’s titular track, Stanley continued: “There’s another great song from the beginning of the Brian [Johnson] era. ‘For Those About To Rock’ is as impressive and colossal as anything I’ve ever heard. The end of that song, with the cannons firing, it really is gladiator music!”

With critics roundly considering the record as one of the band’s best ever creations, it’s clear that Stanley does not stand alone in his fawning views. Indeed, to give its lead song in question its full title – ‘For Those About To Rock (We Salute You)’ – the references to its “gladiator” spirit are not misplaced, as the name derives from the ancient Roman prisoner saying, ‘Ave, Caesar, morituri te salutant,’ translating to, ‘Hail Caesar, those who are about to die salute you’.

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Fanboy Expo Gene Simmons in Knoxville and Orlando!

We are thrilled to announce that Gene Simmons will join us at the Knoxville Convention Center July 11-12 for Fanboy Expo Knoxville 2025 and at the Orange County Convention Center Sept 26-27 for Fanboy Expo Orlando 2025. Gene is best known as the Co-founder. Co-lead singer and bassist for the rock band KISS. Simmons has captivated the world with his on-stage persona, The Demon since the early 1970s and became a member of the Rock & Roll Hall of Fame in 2014.
Both of these appearances will be limited. Special Fan Packages, Photo Ops, and Autographs are available at:

Gene Simmons Feels Responsible for ‘Music From ‘The Elder’’

When it comes to Music From ‘The Elder’ by Kiss, it seemed like a good idea at the time. But in the years since it was released in 1981, it’s become a polarizing topic for fans.

Gene Simmons was quick to address the topic when it came up during a recent conversation that will be featured on the UCR Podcast. “I have to take full responsibility,” he says. “I was in L.A. at the Beverly Hills Hotel and at the time, I was acting in movies and stuff like that. I thought had an idea for a movie called The Elder. On hotel stationary, I started writing out a story [about] when the earth was young, they were already ancient and so on. And in every age and every time, a hero was born. That kind of mythic fantasy quality.”

Bob Ezrin came by because he was going to produce that record. There was a change in the band. Peter Criss was no longer in the band and Eric Carr came in,” he continues. “Ace [Frehley], you know, he was sometimes there and sometimes not. We just started talking generally about songs and what kind of record should we do and all of that. Ezrin happened to see my notes for The Elder and he said, ‘Oh, I like this. How about we do a concept record where the songs mirror that?’ He contacted Christopher Makepeace, an actor who was coming off a movie called My Bodyguard, about a kid in school getting beaten up and he befriends this big guy who protects him. We also had an English actor, Ian McKellen.”

The record “took shape in drips and drabs,” as Simmons recalls, while Frehley, in his telling, resisted participating in the recording process the way it was planned out. “He refused to go to Canada, right outside of Toronto [where portions of the album were being recorded]. He wanted to stay home and record because he had a studio. We were making copies of 24-track masters and sending them to Ace. It was a very disjointed kind of record.”

How He Feels About ‘Music From ‘The Elder” Now

In conversation with Simmons, it doesn’t feel like his opinion on Music From ‘The Elder’ has changed much after more than four decades. As he can see now, elements of their approach would be repeated as the group continued to make music. “What I can say about [Music From ‘The Elder’] is it was not an honest record, because we were trying to do something different,” he says. “And by the way, Carnival of Souls had the same thing [happening]. Before you start writing those songs, let’s try for this. It’s not what we do naturally. And some people like it and some people don’t. But it was not an honest record in terms of it being a deviation on purpose before the fact.”

There are a few songs that he feels positively about and he mentions one specifically. “I like ‘I,’ which is an anti-drug song,” he points out. “I don’t need to get wasted, it only holds me down, because I’ve got a will. I’ve got a will of my own and the balls to stand alone, because I believe in me. [So I like that one] and one or two other songs, but generally, it was a different kind of record.”

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New Book By Joey Cassata based on Music From The Elder

ARE YOU READY KISS ARMY??

Joey Cassata Unveils The Order of the Rose —
A Fantasy Epic Inspired by Music From The Elder

Ever wondered what the legendary and polarizing Music From The Elder could have been as a full-fledged story? Now’s your chance!

Joey Cassata brings to life The Order of the Rose, a fantasy novel filled with adventure, mythology, and mystery. Inspired by the themes and world of Music From The Elder, this epic tale follows a journey of destiny, sacrifice, and heroism.

Available soon in Hardcover, Kindle & Audiobook—Only on Amazon

Legendary classic rock star: ‘Better to be a rich, miserable f—’ than to be poor

Rock legend Gene Simmons recently proclaimed that money makes life better, even if it doesn’t bring actual happiness.

Simmons told the Ultimate Classic Rock Podcast that if you’re going to be miserable, it’s better to be “a rich, miserable f—.”

The iconic bassist and singer from KISS explained that there are a lot of famous people who are relatively poor, and people whose names you might not know that are very wealthy.

“You know, life is tough, so the romantic hippie-dippie notation about life never worked for me,” Simmons said. “All I ever did was try to figure out how to become powerful and make lots of money, for survival.”

Simmons’ comments come just days after he promoted a $12,495 package that would allow a fan to be his “personal assistant and roadie for a day.” The rocker caught flack for the concept, with many pointing out he was charging a fan thousands of dollars to work for him.

While Simmons is preaching the importance of cash, fellow former KISS member Ace Frehley believes money was the reason the band’s original lineup split.

“Once we became rich, we all became millionaires, everybody started going their own way,” Frehley said on the Guitar Tales podcast last year.

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