Ace Frehley Brings 10,000 Volt Energy To South Florida

It was “Florida Cold” in Dania Beach on Saturday, with temperatures dropping below 75° Fahrenheit [24°C], sending most to reach for their jackets. In sunny South Florida, we don’t really do cold. It was only fitting, then, that a rock ‘n’ roll legend should fire up the masses and embrace what our state does best: heat. Original KISS member and Rock & Roll Hall of Famer Ace Frehley did just that on his most recent stop of the 10,000 Volts tour.

Though Stage 954 is not the largest venue the area has to offer, capping its capacity at 999, the KISS Army showed up in full force. Most of the folding seats and bleachers were filled shoulder-to-shoulder with a sea of KISS and Ace shirts, and a good number lingered in the aisles like an impromptu general admission pit.

The crowd held fans from across the state, some driving upward of four hours for the show. Many are regulars, faces that have seen KISS-related shows since the earliest days of the band, and a number of phones were passed around to show off people’s storied history with the band.

In some way, every fan lays claim to a piece of the band’s legacy, from an ‘I was there’ to tales of extreme devotion to half-memories that one could’ve only gotten away with in the ’70s. One fan told me of his wedding in the Las Vegas KISS-themed chapel.

Just after 8 p.m., the lights dimmed, but the energy of the crowd immediately rose. As history (or rather, KISStory) tells, Frehley was electrocuted in December 1976 in Lakeland, Florida, after his guitar touched an ungrounded metal staircase. From the incident, his ‘theme song’ would be born: Shock Me.

It was appropriate, then, to kickstart the show with the song, given its monumental status and its relation to the state. A slight technical offset in the opening track put a momentary pause on the proceedings, but to the delight of the crowd, it meant that we got to hear the iconic Ace theme twice over with a huge boost in power on the second round.

After tearing through early hit Deuce, the band played a track from Frehley’s most recent album, 10,000 Volts, which celebrates its first anniversary this weekend. Though the title track was taken out of the setlist, they played the third single from the record, Cherry Medicine, which complemented Ace’s cherry graphic tee.

“Who doesn’t like a girl in black leather?”

Frehley was all smiles and jokes and was truly interactive with the crowd. He humorously misread “Diana Beach.” His big personality, though polarizing to some, is part of what makes the show a thrill. You never know what he might say.

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PAUL STANLEY On KISS’s 50-Year Career: ‘I Don’t Have Any Negative Memories

https://www.listennotes.com/podcasts/sound-up-with-mark/paul-stanley-VaXbJDcpf4n/embed/#

During an appearance on the “Sound Up!” podcast with Mark Goodman and Alan Light, KISS guitarist/vocalist Paul Stanley was asked if “a lot of the negativity” surrounding the band fades away when he reflects on KISS‘s 50-year run, particularly as it relates to former members. He responded (as transcribed by BLABBERMOUTH.NET): “I don’t see a lot of negativity. People talk about the glass half empty or half full. I see it overflowing. I mean, I don’t have any negative memories because everything that happens both happens for a reason and is part of the end result. So, if you’re living with bitterness or anger, it means you haven’t gotten past it. And I have nothing but good things to say about everybody who’s been in the band. And we couldn’t have made it without all of them. Everybody contributed something, and certainly Ace [Frehley, original KISS guitarist] and Peter [Criss, original KISS drummer], above everyone else, are the foundation of this. So, whatever spats there have been, or whatever bickering, I put it in perspective. If you win the lottery, you don’t complain about taxes.”

Back in March 2023, radio host Howard Stern asked Stanley why he and fellow original KISS member Gene Simmons didn’t perform with Frehley and Criss at the band’s 2014 Rock And Roll Hall Of Fame induction. Stanley said: “[The Rock Hall organizers] were demanding, quite honestly, that we play with the two original guys, Peter and Ace, and at this point, that would be demeaning to the [most recent KISS] band, and also would give some people confusion. ‘Cause if you saw people on stage who looked like KISS but sounded like that, maybe we should be called PISS.”

Gene Simmons Pinpoints Exact Moment Original Kiss Started Falling Apart: ‘Ace and Peter Succumbed to the Weaknesses’

Kiss was certainly one of the most successful and popular rock bands of the 1970s, as judged by album, ticket, and merchandise sales, in addition to their influence on future rock generations. However, the original lineup of Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss began fracturing by the end of the decade, and over the next two years, half the original lineup was out the door.

During an interview with the Magnificent Others with Billy Corgan Podcast, Simmons looked back on this era of the band. And discussed why when the ’80s hit, Frehley and Criss did not remain with the group much longer.

“While the band was sane and playing on stage, there was the ‘All for one, one for all’ [attitude],” Simmons said (transcribed by Ultimate Guitar). “Once Peter and Ace…bless them, and they were equally important for the formation of the band.”

“But not everybody’s designed in their DNA to run marathons. Most people — it’s difficult to keep a band lineup, as you know. And so once Ace and Peter succumbed to the weaknesses, the drugs and the alcohol and all that, there was trouble in paradise.”

The Kiss bassist then recalled a decision that looking back, marked a turning point in Kiss’ fortunes during the early part of the ’80s, which led to the group having to unmask in 1983 to get their career back on track.

“And then you throw flammables into the flame, and society starts to change. And new generations come up, and disco comes up. ‘Well, maybe we should do a [disco] song.’ And everybody fell victim: Rod Stewart, the Stones, everyone. So that starts to change.”

Of course, the tune Simmons is referring to is “I Was Made for Lovin’ You“, which although when originally released in 1979 turned off many of the group’s hard rock fans, has proven to be one of Kiss’ most popular tunes. And has possessed enduring popularity, as it reached #1 on Billboard’s Top TV Songs chart in 2024 and #2 on Billboard’s Hard Rock Digital Song Sales chart in 2025.

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Karl Cochran NJ Death Obituary: Bridgewater Guitarist & Songwriter Passes Away in a Car Accident

It is with heavy hearts that we share the tragic news of the passing of Karl Cochran, a beloved guitarist, songwriter, and cherished resident of Bridgewater, New Jersey. Karl passed away suddenly in a car accident, leaving his family, friends, and fans in shock and mourning. His untimely death marks the end of an extraordinary musical journey that touched the lives of countless people around the world.

Karl Cochran was not only known for his exceptional talent as a guitarist but also for his kind heart, infectious sense of humor, and unwavering loyalty as a friend. For those who were fortunate enough to know him, Karl was more than just a musician—he was a confidant, a mentor, and a cherished companion.

One of his closest friends shared a heartfelt tribute, recalling the daily 6:00 am phone calls they shared for the past five to six years. These early morning conversations covered everything from sports and politics to music and life’s daily challenges. The bond they shared was a testament to Karl’s caring nature and his unwavering commitment to staying connected with his loved ones. His friend fondly remembered teasing Karl if he ever called at 6:01 am, holding him to the punctuality they both cherished. The absence of his call the morning after his passing was a painful reminder of the void left behind.

Karl Cochran NJ Death Obituary: Bridgewater Guitarist & Songwriter Passes Away in a Car Accident

Karl’s musical career was nothing short of legendary. A stellar musician, he played with numerous iconic bands and was revered by his peers for his extraordinary talent and passion for music. Karl was known for his work with KISS’ Ace Frehley, co-writing the song “Into The Void” on the “Psycho Circus” album. He also collaborated with Joe Lynn Turner, Nuclear Assault, The Eric Singer Project, and many others. Wherever he went, Karl’s presence was felt, and his reputation as a gifted guitarist preceded him.

Karl’s contributions to the world of rock and roll are immeasurable. He was admired not only for his remarkable musical abilities but also for his genuine humility and kind spirit. Fellow musicians and fans alike have taken to social media to express their sorrow and pay tribute to his legacy. One post read, “May you play again in heaven with Jimi, Jeff, BB, and Les and all your rock & roll heroes! You will always be my platinum star up there, my friend, and you will be dearly missed.”

Karl’s journey was not without challenges. In 2014, he suffered a serious stroke that left him in a coma. With incredible strength and resilience, he fought his way back to recovery, inspiring those around him with his courage and determination. Despite the adversity he faced, Karl continued to pursue his passion for music, never allowing his struggles to define him. His journey of perseverance and bravery remains an inspiration to all who knew him.

Beyond his musical achievements, Karl was a devoted husband to his beloved wife, Geri, and a loyal friend to many. His love for his family was unwavering, and his bond with his wife was a testament to his kind and loving nature. Geri, their daughter Arna, and the rest of his family are in the hearts and prayers of everyone who loved Karl. The outpouring of condolences from friends, fans, and fellow musicians reflects the deep impact Karl had on so many lives.

Karl was not only a remarkable musician but also a wonderful human being whose kindness, generosity, and humor left a lasting impression on everyone he met. His legacy as a guitarist and songwriter will live on through his music, while his legacy as a friend, husband, and father will continue to be cherished by those who loved him.

As we mourn the loss of this extraordinary soul, we also celebrate his life and the joy he brought to so many. Karl’s music will continue to inspire generations to come, and his memory will live on in the hearts of all who were touched by his presence. His passing is a profound loss to the music world and to the countless lives he impacted throughout his journey.

Karl Cochran will always be remembered as a brilliant musician, a devoted husband, a loyal friend, and a kind soul whose light shone brightly in the lives of those around him. Though he may no longer be with us, his legacy will continue to live on through his music, his memories, and the love he shared with his family and friends.

Rest in peace, Karl Cochran. You were truly one of a kind, and you will be deeply missed. May your music echo through eternity, and may your spirit find peace in the company of the rock & roll legends you admired. Your legacy will live on forever, and your memory will be cherished by all who were blessed to know you.

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Russ Ballard Revisits KISS and Argent Hit ‘God Gave Rock N’ Roll To You’

Russ Ballard has shared a video for his new rendition of “God Gave Rock N’ Roll To You”, the song that he penned that was a hit for both Argent and KISS.

Ballard had this to say, “It reflected the optimism I felt at the time, with lines like ‘love your friend, love your neighbour, love your life and love your labour, it’s never too late to change your mind.’ It was a hit for Argent and a hit for KISS 18 years later when it was included in the film ‘Bill and Ted’s Bogus Journey.'”

This new rendition of “God Gave Rock N’ Roll To You” follows Russ’s recent release of a new version of “New York Groove”, which was a hit for KISS guitarist Ace Frehley on his 1978 solo album.

Freeman Promotions shared this background info on Russ: Ballard is simply one of the most renowned and gifted songwriters in pop and rock music. His music career started when he was only 14 years old, and he wrote a tune, which was recorded by The Shadows, appearing on their album, ‘The Sound Of The Shadows’ in 1964.

During the 70s and 80s, his songs ruled the airwaves, and the list of hits is pretty much endless. From “Since You Been Gone” (Rainbow), “God Gave Rock’n’Roll To You” (Argent and KISS), “So You Win Again” (Hot Chocolate), “New York Groove” (Hello and Ace Frehley), “You Can Do Magic” (America), “Winning” (Santana) or “I Don’t Believe In Miracles” (Colin Blunstone) – just to name a few – everyone who needed a great song knew that with RUSS BALLARD they could not go wrong.

Numerous records/artists were also produced by him, like Roger Daltrey, America, Elkie Brooks, Skindred or Sada Vidoo. In 1974, he started a solo career (after his stint with the band Argent in early 70’s), which had its highest momentum with the ‘S/t’ album in 1984 (which included the hit single “Voices”) and the follow up “The Fire Still Burns”.

Since then, BALLARD has released 10 studio albums and is still writing and producing hits. Three songs from his 1984 and 1985 albums were featured in the TV show “Miami Vice” and were extensively played on dance floors around Europe.

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PAUL STANLEY Says He ‘Misses’ Performing With KISS

KISS guitarist and vocalist Paul Stanley discussed his adjustment to life after the band’s “End Of The Road” farewell tour, which concluded over a year ago, during a recent appearance on the debut episode of the “Stories To Tell With Richard Marx” podcast..

“There are people who are touring constantly because they’re empty and because they need that audience positive response. Years ago for me, probably decades ago, that may have been the case,” Stanley said (as transcribed by Blabbermouth). “At this point, it’s been incredibly gratifying. The last tour was just a chance to really take in how valuable and how much this meant to me. But I couldn’t keep doing it any more than Michael Jordan could.

“I’ve always been more than a musician or performer — I’ve been an athlete — and you realize that you can only do that so long. I’ve been blessed to do it into my 70s, which if you told me that 50 years ago, I’d say you’re out of your mind. So, yeah, I miss it, but I don’t crave it. I think the people who really crave it are the ones who don’t find other means for gratification either from other people or self-gratification, whether it’s, for me, painting or my family or friends.

“I think ultimately, hopefully, I would hope that most people find that in life, at some point, you start to narrow down what’s really important,” he continued. “And ultimately, what’s important is family, friends and how you feel about yourself. You face yourself every day when those crowds aren’t there. It doesn’t matter whether there’s 20,000 or 100,000 people, if you don’t like who you see in the mirror, it’s kind of meaningless.

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KISS release gold editions of “Strutter”

KISS celebrate 50 Years of their anthem “Strutter” with an ultra-rare “Pure Gold Edition” and limited “Gold-Plated Edition” playable 24-Karat gold records.

Los Angeles, CA – February 18, 2025 – The #1 most Gold-awarded U.S. artist and Rock and Roll Hall of Fame© Inductees KISS, proudly present “Strutter” on a limited-edition, playable gold records in honor of 50 years of the single available now. KISS partners with Precious Sound to produce two versions—the ultra-rare Pure Gold Edition and the Gold-Plated Edition.

As the ultimate KISS precious metal collectible, the world’s first-ever Pure Gold Edition playable disc will be limited to only 5 copies worldwide pressed from eight ounces of pure .999 24-karat gold. These 5-inch records are specifically remastered for gold playback on any manual turntable system. The A-side boasts the playable grooves, a rim engraving with each record’s unique edition number as well as the KISS logo adorned with Swarovski crystals and the B-side celebrates the original Casablanca single label etched into the gold with proof-quality finish. The package features a luxurious coffee table display case bound in sustainable faux leather with gold foil accents and a Swarovski crystals KISS logo. The two-drawer case is hand-crafted to preserve this everlasting record for a lifetime. One drawer houses a protective sapphire crystal glass capsule and the other holds an exclusive book signed by Gene Simmons & Paul Stanley. Other accessories in the set range from the gold-accented pen utilized to sign the respective book, a laser-engraved and numbered metal certificate of authenticity, a custom-made cork record mat for optimal playback, and a microfiber cleaning cloth. Each pressing is made-to-order.

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A Rock Icon Once Slammed KISS and Gene Simmons: “A Musician Doesn’t Need the Mask or Mascara”

Kiss is one of the biggest and most recognizable rock bands in the world. Their farewell tour and final shows drew millions of fans to venues around the world. However, not everyone is a fan. Some don’t like the music they create. Others can’t get past the band’s space-age costumes and face paint. Those people see the band’s gimmick and dismiss them before looking into the music. Legendary guitarist and songwriter Carlos Santana is in that camp.

The co-founder of Santana has been wowing fans with his blend of rock and Latin American jazz since the late ‘60s. His guitar chops have inspired countless players to pick up the instrument and gave them goals for their sound. While he has collaborated with several other musicians over the years, fans likely won’t see him teaming up with Gene Simmons or the other members of Kiss.

Carlos Santana once fired shots at Kiss in general and Gene Simmons in particular. “He’s not a musician, he’s an entertainer,” Santana said of Simmons. “A musician is John Coltrane, Bob Marley. Kiss is Las Vegas entertainment, so he wouldn’t know what music is anyway. That’s why he wears all that stuff,” he added

Then, Santana explained his position. “A musician doesn’t need the mask and the mascara so there’s a difference between an entertainer and a musician,” he explained.

Gene Simmons heard Carlos Santana’s criticism of Kiss and responded. Initially, he was understanding. “Not everyone likes the same meal,” he said, comparing music to food. Later, though, he was a little less kind in his comments. He fired shots at Santana as well as other musicians who didn’t have over-the-top stage shows.

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Why Is Gene Simmons Twice As Rich As Paul Stanley?

Gene Simmons and Paul Stanley built KISS from the ground up in 1973, turning it into one of the biggest rock bands in history. For over 50 years, they’ve been the band’s backbone, handling songwriting, business deals, and licensing rights as equal partners. But despite this shared control, Simmons has amassed a significantly larger fortune than Stanley. So what’s behind this financial gap?

As the frontman and rhythm guitarist, Paul Stanley helped define KISS’ sound and stage presence. He played a major role in writing some of the band’s biggest anthems, including ‘Rock and Roll All Nite’ and ‘Detroit Rock City.’ His contributions solidified his place as the face of KISS alongside Simmons.

Outside of the band, Stanley has explored various creative and business ventures. He released a self-titled solo album in 1978, followed by ‘Live to Win’ in 2006, which peaked at No. 53 on the Billboard 200. In 1999, he stepped into musical theater, starring as the Phantom in the Toronto production of ‘The Phantom of the Opera.’ He also found success in the art world, selling paintings for substantial sums. These endeavors, combined with KISS’ massive earnings, have built Stanley’s net worth to an estimated $200 million.

Gene Simmons is more than just KISS’ bassist—he’s a businessman through and through. While the band’s record sales, exceeding 100 million worldwide, contribute to his wealth, his real advantage lies in branding and marketing.

Since the ‘70s, Simmons has been the driving force behind KISS’ merchandising empire. With over 5,000 officially licensed products—including action figures, pinball machines, and even KISS-branded coffins—he helped generate more than $1 billion in licensing revenue.

Beyond KISS, Simmons has built multiple revenue streams. His reality show, ‘Gene Simmons Family Jewels,’ ran for seven seasons, bringing in substantial income. He also dabbled in film production, launching ‘Detroit Rock City’ in 1999, and made countless TV appearances. On top of that, he’s made millions from high-paid speaking engagements and consulting work. With all these ventures combined, Simmons’ net worth stands at an impressive $400 million—double Stanley’s fortune.

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Gene Simmons Accuses Ace Frehley Of Plagiarism

Simmons claims Frehley’s solo on Kiss’s ‘She’ copies The Doors’ classic note-for-note.

Rock music is no stranger to borrowed riffs and recycled solos, and even Kiss are no exception. Bassist Gene Simmons recently shed light on one particularly contentious incident, claiming ex-bandmate Ace Frehley’s guitar solo on the band’s 1975 track “She” was effectively lifted “note-for-note” from The Doors’ 1968 classic “Five to One.” During his appearance on The Magnificent Others podcast hosted by Billy Corgan, Simmons recalled how the situation came to light through conversations with Pearl Jam guitarist Mike McCready, who mentioned Frehley’s playing had significantly influenced him.

Specifically, McCready stated one of the first solos he learned was from Kiss’s “She,” which he later used as inspiration for Pearl Jam’s hit “Alive.” Simmons recounted McCready’s shocked reaction when he revealed, “I said, ‘Mike, I don’t know how to tell you this, but that’s a note-for-note guitar solo from the Doors [Five to One].’ Ace liked it so much, he just reproduced it. He goes, ‘No!'” Simmons added, “My point is, it’s always very appreciative when somebody says, ‘Loved your stuff.’ Everybody’s got bits and pieces of stuff.”

This admission from Simmons sparked immediate conversation about how prevalent musical influences and borrowing can be. Indeed, rock music has long been embroiled in allegations of appropriation, with iconic songs like The Beach Boys’ “Surfin’ USA” credited as a lift from Chuck Berry’s “Sweet Little Sixteen.” Even more notable is the case of George Harrison, whose single “My Sweet Lord” closely followed the melody of the Chiffons’ “He’s So Fine.”

Despite this, Simmons was quick to argue for the legitimacy of borrowing. He emphasized, “Listen to Zeppelin songs, you’ll hear lots of blues, very recognizable blues songs.” This acknowledgment pointed out the little-discussed reality of musical inspiration within the industry, where artists often recycle ideas. Yet, Simmons’ comments particularly shine a light on Ace Frehley’s sometimes overlooked influence and the legacy he built within rock music.

Reflecting on Frehley’s audition for Kiss back when he was seeking to join the band, Simmons recalled the memorable impression Frehley left. “We auditioned players… And Ace [comes in and] plugs in and starts playing. I walked up to him and said, ‘Buddy, you’d best sit down before I knock you out. What are you doing? We’re talking.'” This anecdote showcases the confidence and carefree nature of Frehley, which would become part of his legendary persona.

Simmons’ comments not only raise questions about Frehley’s originality but also about the nature of artistic influence and sharing within the music community. Musicians have for decades stood on the shoulders of giants—borrowing riffs, musical phrases, and lyrical ideas from predecessors. The overlap of influence is not just common; it is often celebrated as part of what drives the evolution of styles within rock and pop music.

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“I glared at him and stuck out my tongue, lowered my head so we were face-to-face with each other and said, ‘Aaahhhh!’”: Gene Simmons recalls the rivalry between Kiss and Black Sabbath in the ’70s

Kiss star Gene Simmons says it very simply: “I’ve always loved and admired Black Sabbath. And can proudly say the early days of touring together will be a lifelong memory.”

But as he admits, there was a fierce rivalry between Sabbath and Kiss during their brief time together on a US tour in 1974.

Gene recalls: “The Sabbath of 1974 had all the adrenaline of a new band in a strange land doing what they believe in. There was no question Sabbath was going to do things their own way. Love them or hate them, this would be a band that would mark its own territory like an animal.

“Kiss was touring on its first album. We got an opening slot, thankfully, on the Sabbath tour… but only for three or four shows.

It was at the Boston Theater in 1974, if memory serves me correctly…

“I was backstage fully made-up and ready to go out on stage with the band. Standing next to me was the great Geezer Butler. All five feet six inches of him! In my platform heels, I stood at about six feet nine inches tall.

“It’s in my DNA – once the war paint was on, I became The Demon. And Geezer didn’t quite know what to make of me.

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The Stylistics announce new album featuring Shania Twain, Gene Simmons, Ronnie Wood, and more

The Stylistics have released a new single, ‘Yes, I Will’, featuring Shania Twain ahead of their upcoming album, Falling In Love With My Girl.

Legendary Philadelphia R&B group The Stylistics have released a Valentine’s Day single with the iconic Shania Twain.

Yes, I Will’ was written by Twain, and is the lead single from The Stylistics’ first album in nearly twenty years – Falling In Love With My Girl. The album is set to release on February 21.

“I’m not known for making soul records but soul has always been a big influence for me musically,” said Twain. “I’m so in awe of The Stylistics for their natural talent and effortless delivery.”

“I fell in love with Shania Twain the first time I heard ‘You’re Still the One’ – a great song that I still love,” said Airrion Love, one of three Stylistics members. “When we heard there might be a chance to do something with her we said “Hell yeah!””

Falling In Love With My Girl is set to feature a range of high-profile musicians, including Ronnie Wood of the Rolling Stones, Bill Champlin of Chicago, Gene Simmons of Kiss, Billy F Gibbons of ZZ Top, Justin Hawkins of The Darkness, The Real Thing, and Tower of Power

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