Strange Ways

Episode 35 finds your KISS ARMY bros joined by our PODCAST ROCK CITY bro, JOE POLO!!! This time we discussed Robert Duncan’s 1978 KISS Predictions!!!

Ultimate Guitar

Ace Frehley has claimed that Tommy Thayer, who replaced him in KISS, always wanted to be him.

And original “Spaceman” – who recently insisted he could “blow Thayer off the stage” – believes Paul Stanley and Gene Simmons just wanted a business deal with someone who’d play his role.

Frehley tells the Village Voice (via Classic Rock): “I could sense he always wanted to be me. He used to be in a Kiss cover band. He didn’t do anything – he was hired by Paul and Gene to put on my makeup and costume and play my guitar solos – a business deal. If he wouldn’t have done it, they would have hired somebody else.

“What they really should have done is, if they wanted to dress up a guy to play lead guitar, they should have come up with different makeup, like they did with Eric Carr and Vinnie Vincent. That’s what the fans are upset about.”

Asked about Thayer launching a limited-edition Spaceman guitar, Frehley responds: “I mean, how big are the balls on this guy?”

In a separate interview, he describes his replacement as “a guy up there copying me.” He tells Eddie Trunk: “What bothers me most is that new fans don’t know it. A lot of people think he’s the original guy that created the makeup, that wrote great songs and wrote all those solos that he’s performing, but he’s not. The real hardcore fans know. But the new fans, a lot of them don’t know.”

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My Fox LA

Los Angeles News | FOX 11 LA KTTV

It was just a couple of weeks ago, August 17th, that the wheels stopped turning on one of Southern California’s most iconic roller coasters to make way for a new wood and steel version of the famous Colossus.

It was 1:30pm … firefighters got the call… about 30 were sent out including teams from Hazmat and Urban Search and Rescue. Six Flags officials say workers from AA construction company hired by Magic Mountain were working on disassembling the ride. There was flame, a lot of smoke and, although park engineers didn’t think it was the case, firefighters were very concerned about the possibility of collapse. The center of the fire was on what’s called a lift-hill. So, they decided not to put firefighters up there until after they knew it was safe. They also fought the blaze defensively aiming streams of water to each side of the fire to keep flames from spreading while trying to knock it down.

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Blabbermouth

Slash has commented on a story in Paul Stanley‘s autobiography in which the KISS frontman claimed that he had to teach the former GUNS N’ ROSES guitarist a basic lesson in rock and roll diplomacy more than 25 years ago.

In “Face The Music: A Life Exposed”, Stanley recalled the time he was asked to meet with the members of GUNS N’ ROSES, who were about to start work on their now-classic debut album, “Appetite For Destruction” album. Although Stanley claims he wasn’t all that impressed at first, describing guitarist Izzy Stradlin as “unconscious, with drool coming out of the side of his mouth,” and Slash as “half-comatose,” the KISS guitarist-vocalist was nice enough to show Slash how to tune his guitar in the five-string open-G method preferred by Keith Richards, and offered to put the GN’R axeman in touch with people who could get him free guitars. Paul then went to go see GUNS N’ ROSES play two small Los Angeles-area club shows, which he described as “stupendous.” According to Ultimate Classic Rock, it was an incident at the second of those concerts that created the initial rift between Slash and Stanley. “They weren’t happy with the guy mixing their sound,” Stanley wrote in his book. “And Slash asked me out of the blue to help out. Decades later, Slash‘s recollections of the night would be faulty at best. He liked to pretend I had dared to meddle with their sound.”

Stanley continued: “Immediately after my interactions with the band, I started to hear lots of stories Slash was saying behind my back — he called me gay, made fun of my clothes, all sorts of things designed to give him some sort of rock credibility at my expense. This was years before his top hat, sunglasses and dangling cigarette became a cartoon costume that he would continue to milk with the best of us for decades.”

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Ultimate Guitar

“While I have nothing but respect for Gene, he couldn’t be further off the mark. Yes, the rock ‘n’ roll ‘business model’ that helped KISS (and my band for that matter) achieve fame and fortune is most certainly long dead and buried, but rock ‘n’ roll is alive and well and thriving on social media, in the streets, and in clubs and concert halls all over the world. And the bands playing it are more genuine and heartfelt than ever because they are in it for one reason: the love of rock ‘n’ roll.

“Spend some time seeing and listening to these incredible young bands and their rabid fans and you will know that rock ‘n’ roll couldn’t be more alive. Yes, it’s not the same as it was for the first 50 years of rock’s existence, but the fire definitely still burns.”

Explaining what actually killed rock in his opinion, Snider added, “And it wasn’t some 15 year old kid in Saint Paul, Minnesota (to paraphrase Mr. Simmons) who killed the rock ‘n’ roll goose that laid the platinum egg… it was greedy, big city, record company moguls who made their own velvet noose to hang themselves with. It was they who took advantage of the consumer (and the artist for that matter) and drove them to use an alternative source of music presented to them.

“For example, take the bill of goods the record industry sold the mainstream public when introducing the CD format. ‘We have to charge more for it, because it’s a new technology and there’s a cost to setting up the infrastructure to produce them.’ The consumer believed them – it made sense – so they paid a $18.98 list price for a product they had been paying $7.99 list for previously. After all ‘you can’t break a CD with a hammer!’ (Remember that?)

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NJKISSExpo.com

Tickets only $10 in advance!
KISS Tribute band KISS Nation playing in full makeup and Dressed to Kill suits!
Photographer Lynn Goldsmith shooting fans for upcoming KISS book!
Huge after show party with all your friends, old and new, at the Hilton Garden Inn

Visit NJKISSExpo.com for all tickets and Information!

Katherine Turman | Village Voice

Rob Menzer

Two Naked Cowboys, one Spanish-speaking SpongeBob, a headless Hello Kitty, and an ersatz version of Lou Reed’s “Walk on the Wild Side” all vie for attention on a teeming, muggy, late-summer Times Square afternoon. Unbeknownst to the masses, though, the coolest cartoon character of all is dining on salmon sushi on the second floor of nearby Bluefin restaurant. Ace Frehley, Kiss’s onetime Spaceman, is still spacey after all these years: to wit, his just-released solo record, entitled Space Invader. It’s the 63-year-old guitar icon’s fifth solo outing since his self-titled effort back in 1978.

Frehley, in sunglasses and a striped button-down shirt, flashes back to that moment before the coordinated September 18, 1978, release of all four Kiss solo efforts. “We all had a big meeting sitting around the table prior to going our separate ways for those records, and the others were a little cynical to me, kind of hinting, ‘Hey, if you need any help, we’re here if you need us.’ As if I did need help, you know?” remembers Frehley with a slight hint of aggro. “It kind of just put fuel on the fire for me to work twice as hard on my solo record. We all know what happened.”

What happened was Frehley’s nine-song LP was both the critics’ favorite and best-selling of the solo discs (it went Platinum), thanks in part to a song that would become his hallmark, the Russ Ballard (Argent)-penned stomp-along anthem “New York Groove.” On August 12, some 37 years after he first recorded it, Frehley sat in with the Roots to play the song on The Tonight Show With Jimmy Fallon, the band laughingly following Frehley’s orders — “I think it’s just a cunt-hair faster,” he instructed between commercial breaks in his trademark nasal Noo Yawk drawl, as the tuba blatted out the tune’s signature riff.

Three or four times during the course of recording Space Invader, which took 10 months, Frehley “sat down and threw on my old ’78 solo album. I tried to take elements from that record and incorporate into this new record, because fans are always psyched that it’s their favorite Ace record.”

See also: Photos: Ace Frehley’s Space Invader Listening Party

One of those fans is Tom Morello, the revolutionary Rage Against the Machine guitarist who inducted Kiss into the Hall of Fame in 2014 with an elegant, on-the-money speech and was the band’s biggest champion in the behind-closed-doors nominating committee meetings. “I don’t think anyone, even the members of Kiss, would argue that Ace’s [’78 solo album] was the best one. It was fantastic,” Morello says. “His core sensibility was that he just wanted to rock, he had no artistic pretense, there was no aiming for hits, and it was just a great rock ‘n’ roll dude making a rock record.”

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David Rolland | New Times

Kiss’ bassist, frontman, and legendary tongue, Gene Simmons, made headlines last week for saying these four very wrong words in an interview he did with his son for Esquiremagazine: “Rock is finally dead.”

You should always be hesitant to expect too many profound thoughts from athletes, entertainers, or straight men who wear makeup. But anyone would be curious why a guy who cowrote “I wanna rock and roll all night” would now be quoted as saying, “The death of rock was not a natural death. Rock did not die of old age. It was murdered.”

Could the reason Gene Simmons thinks rock is dead be because nothing being produced right now interests him? Could it be that he thinks audiences have moved on to other forms of entertainment? Maybe it was an observation on how guitars have become less and less noticeable in modern music. Or maybe he thinks no rock stars out there are pushing the envelope.

Those might be valid reasons for his comment, but in reading the interview, nowhere in there does Simmons say there’s a lack of quality. He even shows good taste in raving about psych Aussie rockers Tame Impala. Rather, Simmons’ big thesis is that it’s not lucrative for kids to focus on a career in rock anymore.

He then goes on an Ayn Rand-inspired rant about how file sharing and illegal downloading of music has killed the dream of a 15-year-old kid who hopes to become rich by playing music that provokes an immediate reaction of: Fuck that hypothetical kid. Let him become a hedge-fund manager or design an app if he wants to be rich. If profit is his goal, he’s going to make some crap music.

The best rock ‘n’ roll has always been inspired by a desire to get laid, look cool, or, at the very least, start a revolution. Look at your favorite bands and you can see the quality of their music spiral downward the longer they have been gifted with wealth; think Elvis or Axl.

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Metro

Cindy Ord

‘The death of rock was not a natural death. Rock did not die of old age. It was murdered,’ he declares.

‘It’s very sad for new bands. My heart goes out to them. They just don’t have a chance. If you play guitar, it’s almost impossible,’ he adds during an interview with Esquire.

But everyone loves a guitarist in a band, right?

‘You’re better off not even learning how to play guitar or write songs, and just singing in the shower and auditioning for The X Factor. And I’m not slamming The X Factor, or pop singers. But where’s the next Bob Dylan? Where’s the next Beatles? Where are the songwriters? Where are the creators? Many of them now have to work behind the scenes, to prop up pop acts and write their stuff for them.’

Harsh man, harsh.

So what was the ultimate cause of death for rock and roll?

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Cassius Morris

NJKISSExpo.com

ATTENTION – Legendary photographer Lynn Goldsmith will be photographing and interviewing fans for an up-coming KISS book at this year’s New Jersey KISS Expo – be sure to dress the part to be included in this piece of KISStory!

Lynn produced some of the most recognizable photos of KISS as well as many other rock bands of the ‘70s and ’80s, (in the Land of Hype and Glory TV show from ’77, she is the photographer on the stage yelling, “gimme more tongue” to Gene, to give him motivation). A simple Google search will show you the astonishing amount of iconic KISS photos she is responsible for that we have loved for decades!

Lynn also has photo credit on album covers for many other artists including Ted Nugent, the Village People, Police, Grand Funk Railroad, Frank Zappa and has also worked with Michael Jackson, Bruce Springsteen, Led Zeppelin, the Ramones, Prince and Ozzy Osborne, just to name a few.

Do not miss the opportunity for the chance to meet Lynn and be part of her new KISS book. Come dressed in your KISS costumes or wear all your KISS paraphernalia for the photo shoot!

See more of Lynn’s work at lynngoldsmith.com.

“Lynn is the boss. When she picks up her camera, my dragon boots buckle at the knees. She makes me do things I wouldn’t do, unless I was in jail”. – Gene Simmons

Shalom Life

If you’re a KISS fan in Israel then you’re in luck. Frontman Gene Simmons announced on Facebook this week that the band will be performing in Israel as part of their world tour.

Simmons was born in Haifa under the birthname of Chaim Witz, and emigrated to the States when he was only 8 with his mother, who’s a Holocaust survivor. Simmons and his fellow bandmates formed KISS in New York in 1973, and have gone on to sell over 100 million albums and have 28 gold records to their name (and counting). The band was also inducted into the Rock and Roll Hall of Fame earlier this year, though they refused to perform.

Simmons, known for his candid opinions and outright political view, has openly said he’s pro-Israel and publicly defended the country in the wake of a media outcry following their recent war with Hamas. Simmons has also spoken out about artists who refuse to play in Israel as part of their pro-Palestinian tactics or who encourage other artists to cancel their Israeli performances to put pressure on the country.

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Frequency
 

Ultimate Classic Rock

Ace Frehley‘s new album, ‘Space Invader,’ includes a song (‘What Every Girl Wants’) that makes use of the phrase “shakin’ sharp shooter.” As fans may recall, this isn’t the first time Frehley’s used those words in song — in fact, he originally tried to use them on his last album with Kiss, 1998′s ‘Psycho Circus.’

“‘Into the Void’ on ‘Psycho Circus’ used to be called ‘Shakin’ Sharp Shooter,’” Frehley tells Ultimate Classic Rock in an exclusive video interview, which you can watch above. “That was a song I originally wrote with that music, and [Paul Stanley] and [Gene Simmons] didn’t think it was working with the rest of the songs the the record.”

Determined to wrangle a songwriting credit onto the album, Frehley pressed on undaunted. “I said to Gene, ‘Give me half an hour,’ and I went up into another room in the studio and I wrote all the lyrics for ‘Into the Void’ — boom!” he laughs. “I work good under pressure.”

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Strange Ways Podcast

August 28th, 2014..KISS played a blistering set in front of 18,000+ screaming KISS freaks in St. Louis, Mo.!!! Your STRANGE WAYS pals felt compelled to discuss the festivities, and are joined by special guests, and local KISS freaks, Lonnie Weishaar, and Maria Shepard to talk about a great night!!! We hope you enjoy, KISS ARMY!!!

Joe Polo