Bruce Kulick Explains How He Approached Ace Frehley’s Solos in Kiss, Reveals What Makes Ace So Special

As Gene Simmons and Paul Stanley remained in the band throughout all of the lineup changes, we’ve seen some great guitarists and drummers pass through Kiss, taking the positions originally occupied by Ace Frehley and Peter Criss. As far as six-string heroes of Kisstory go, Bruce Kulick is a name that the band’s fans hold in high regard. Remaining in the lineup for over a decade, Kulick recorded five studio albums.

Recently, we spoke to Kulick, discussing his time in the band and how he handled his guitar duties. Among other things, we touched upon his interpretations of guitar solos originally written and recorded by Ace Frehley, with Bruce explaining how important it was for him to pay respect to the original member.

Were you ever told to replicate Ace’s solos when performing the older songs in Kiss?

“That’s the amazing thing about Kiss. The catalog is so huge and varied. And I certainly didn’t have to play Ace’s riffs notes for note, but I was always super respectful of what I felt was his signature riffs.”

“So Tommy [Thayer], who did such a tremendous job of imitating Ace’s eras 1975 or something, that was his kind of… I think he was asked to do that. And he’s in the outfit, and he’s that character, so it made sense.”

“But the beauty of my years of Kiss was I was never requested to imitate Ace. Though there were some songs when I really did try to cop a lot of the licks, like a ‘Firehouse‘ or something, I just thought, ‘He had the perfect riff. So let me just play them as best as I can.'”

“But there are certain things that Ace does I could never do. He just had a certain approach on certain notes and his picking technique that were very different from me. And maybe that’s why he is still a rock icon. I don’t know.”

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The One Real-Life Heavy Metal Song They Couldn’t Use on Peacock’s Satanic Panic Thriller Hysteria!

Peacock’s new Satanic Panic series Hysteria! tells the story of a small town gripped by fears that Satanists are running amuck doing evil deeds all seemingly stemming from a few kids’ love of heavy metal music. Speaking at last weekend’s 2024 New York Comic Con, the co-creator and executive producer of the show explained how important the soundtrack is and revealed the one song they couldn’t use.

Hysteria! is currently streaming all eight episodes on Peacock, and anyone who has seen the first episode will know just how important metal is, not just to the characters, but to taking viewers back to the 1980s when bands like Iron Maiden and Black Sabbath captured the imagination of teens and scared the hell out of adults. Despite the show skewering the time period’s Satanic Panic and the irrational fear that gripped several communities throughout the world, co-creator, showrunner and executive producer Matthew Scott Kane said one very unexpected band was really not on board with the message and refused to license any of its music upon request for the pilot.

“You saw the scene earlier, Dylan and Judith are at their locker and they’re having a sweet exchange,” he told the crowd at NYCC after a screening of the pilot. “We thought it’d be great to play KISS’s ‘Beth’ over that scene, but apparently the Knights in Satan’s Service have a very strict policy about who they’re loaning their songs to and they found our Satanic comedy to be a little too immoral for their tastes.”

He added: “So we do not have any KISS songs in this series, but we do have a couple of good KISS jokes in this series.”

Fortunately, despite not having any KISS songs in the show, Hysteria! still finds its sound through the music as well as a cover here and there by the functional band, Dethkrunch. While KISS’s “Beth” was rejected, Kane noted that he’s pleased with the impact the music they were able to get has on the show, and promises some pretty sweet tunes for those who catch all eight episodes.

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Ace Frehley Sunburst Epiphone Guitar at KISSArmyWarehouse.com!

On Sale!

Signed by Ace Frehley in January 2022 at a private signing in Jersey City, NJ.  Signed in black Sharpie pen.  Includes our Certificate of Authenticity. See photos of Ace signing this actual guitar.

L@@K!! ACE FREHLEY SIGNATURE EPIPHONE HC BURST LES PAUL W/ HARD CASE NICE SHAPE!. 1997

This is a 1997 Epiphone Les Paul Ace Frehley signature model. This guitar comes with an Epiphone branded hard case. It is an overall excellent condition with a few scratches on the back and very minor dings otherwise. The biggest ding is on the back along the binding which actually chipped off a small piece of the finish. That is shown in the pictures. Other than that, this guitar is has obviously been cared for. There is very little playing wear and the guitar comes with a fresh set up ready to rock and roll all night and party everyday, as they say

This model is long discontinued and is a sought-after piece in the market. They rarely come up for sale in this nice condition, so scoop it up while you can.

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Authentic Gene Simmons Demon Costume at KISSArmyWarehouse.com!

Last one!

The KISS costumes had a long evolution and this band’s signature look comes to a peak with their Rock the Nation tour in 2004. This officially licensed Gene Simmons Costume is an excellent collector piece and represents their look on the 2004 tour. Gene Simmons, also known as “The Demon” transforms into a dark cynical character during his performances and you can get his look with our costume. This costume is made of quality material and has very elaborate detail. The base of this outfit starts with the bodysuit. The stretch material of this bodysuit is comprised of 83% nylon and 17% spandex and has pleather and large metal silver stud detail. Step into this stretch bodysuit that has a deep v cut in the chest, black elastic stirrups attached to the ankles fit around your feet, and there is a conveniently located zipper for when nature calls. The sides of the legs have a large triangular openings trimmed with black leather and large silver studs that is also repeated in the inner thighs. The elaborate vest has attached wings and fits over your head while you slip your arms through the comfortable elastic on the underside of the wings. The top of the arms and the shoulders are lined with silver realistic spikes made of soft shiny fabric topping off the bat shaped wings with inner and outer stud detail. The front cod piece with stud detail is attached to the vest with plastic fasteners and to the back cod piece with Velcro and silver rings. This cod piece is adjustable in the length and width. This great outfit also includes the choker with silver square faceted studs. and the black stretch fingerless gloves with shiny silver fabric spikes at the top of the knuckles. Six additional silver metal studs are also included. Check out our KISS accessories such as the Rock the Nation Boots and the Gene Simmons Demon KISS Makeup to complete your rock star makeover. If you are a true KISS fan you will be satisfied with this quality costume.

 

Size Chest Torso Jumpsuit Length
Standard 42″ 28″ 55″
*Note: Measurements are of the actual item.

 

Includes:  Vest with attached wings  Bodysuit  Studded choker  Gloves with spikes  Studded front and back cod pieces

Order now at kissarmywarehouse.com!

Gene Simmons Wants to Insult Flea All Nite and Hate Bass-Slapping Every Day

There’s a lot you can say about Gene Simmons, an admittedly ageist lone wolf — but don’t even think of colloquially referring to the retired KISS bassist as a “bass-slapper,” or a fan of Flea‘s work with the Red Hot Chili Peppers.

In a new interview with Guitar World, Simmons discussed the philosophy behind his approach to his instrument. “I don’t consider myself — and was never really interested in being — a bass virtuoso,” he explained, stating the obvious. “I don’t like show-offs in music. I’m much more attracted to things that are memorable. It’s part of the joy of music for me.”

Maybe it’s not technically showing off to make a career out of performing in platform boots through a jungle of pyro, but KISS seemingly got the memorable part down. (We may have to wait until the five-part documentary on their final tour to know for sure, though.)

Simmons went on to speak to how jazz musicians aren’t celebrated by the world, but are admired by their fellow musicians; that’s the kind of thing he’s going for, somewhere deep beneath the makeup and tongue-waggling.

“There are an awful lot of amazing bass players, like Jaco Pastorius and the jazz guys,” he mused. “Or guys like Flea, who is really good on his instrument, but I can’t remember anything he plays — and I also do not like the sound of a bass being slapped.”

Famously distinctive bass player Gene Simmons has spoken, everyone! RHCP’s catalogue, on the other hand, speaks — and slaps — for itself.

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Launch of KISS Hotter Than Hell Ultra Premium Rum 50th Anniversary Edition

NEWS ALERT – Launch of KISS Hotter Than Hell Ultra Premium Rum 50th Anniversary Edition

KISS Rum Kollection and Drink It Up by KISS release the final product of the rum portfolio with the last of the exclusive barrel aged blend.

Celebrating 50 years of rock legacy, the 2024 anniversary of the 1974 fan revered album ‘Hotter Than Hell’ marks a significant moment in KISStory, highly anticipated by KISS fans worldwide.

The unique new blend of 14 year old rums hold a high sophistication courtesy of aging in ex-bourbon and Batavia arrack leggers from Guyana and Jamaica. Bold, brilliant and befitting of the anniversary celebration.

Tasting Notes

Nose: Sophisticated notes of butterscotch, dates and dark chocolate

Palate: Smooth yet complex, leading with distinct tones of arrack and crème caramel. Clear oak character follows, rounded off with hints of almond, vanilla and fudge

Finish: Full bodied and well-balanced, highlighting the character developed through extended aging

Serving recommendation: Enjoy it neat to allow the full representation of flavours and character to shine centre stage.

Pre-order is available exclusively from 22nd October at brandsforfans.com for Austria, Belgium, Denmark, France, Germany, Italy, The Netherlands and United Kingdom.

Click here to order!

 

KISS Cancer Goodbye III to Offer World-Class Lineup of Rock Musicians

According to the American Cancer Society (ACS), breast cancer is the most common cancer in women in the U.S. (except for skin cancers), accounting for one-third of all new female cancers each year. In 2024, the ACS estimates that about 42,250 women will die from breast cancer.

To support the ACS’s efforts to save more lives from breast cancer, prominent community member Neil McCurry is putting together a major fundraising event in December: KISS Cancer Goodbye III is a three-day KISS-themed music festival and fan fest that will feature numerous world-class rock musicians, including former KISS guitarist (1984-1996) Bruce Kulick, who will appear and play all three days.

The event takes place December 6-8, 2024 on the Harvest House campus (3650 17th St., Sarasota). Times and programming vary each day; visit kisscg.com for detailed information.

Some of the musical highlights will include: the performance of select songs from KISS albums “Dynasty” and “Unmasked,” featuring legendary drummer Anton FigThe Handsome Devils performing the “Creatures of the Night” album in its entirety; a salute to the four original KISS members’ solo albums, performed by various guest artists; the performance of the “Hotter Than Hell” album on its 50th anniversary; Chris Jericho’s band Kuarantine, featuring special guest Kulick; the performance of the “KISS Alive II” album by the all-star band and special guests; the music of Frehley’s Comet, presented by legendary guitarist/keyboard player – and former Frehley’s Comet member – Tod Howarth; and much, much more.

There will also be a Fan Expo, open all three days, that will include some of the biggest names in KISS memorabilia – including KISS Army Warehouse, KISS Replicas, KISS Army Spain and more – as well as opportunities to meet and get autographs from and pictures with many of the visiting musical artists, including Kulick.

The weekend will be interlaced with charitable raffles and other philanthropic activities. In order to maximize fundraising, the event will include both in-person viewing and livestreaming during portions of the event.

McCurry is hoping to have more of an impact this year than just raising money, though.

“This year, we are also challenging ourselves to find ways to not only continue to raise funds in the fight against cancer but also to provide more education about cancer risks and create a stronger message about the importance of getting checked for early signs of cancer,” he says.

When McCurry – former President & CEO of Sabal Palm Bank (now Seacoast Bank) and current Market Executive for Seacoast – was asked to be a part of the American Cancer Society (ACS) fundraiser “Men Wear Pink” a few years ago, he noticed that the most successful participants seemed to be the ones who created events that matched their interests. That observation led McCurry to an obvious plan of action: to parlay his passion for rock ‘n’ roll – particularly for the legendary rock band KISS – into a means of raising money for the ACS.

While it may seem like a non-traditional hobby for a bank executive, McCurry – who goes by Neil Davis for his musical pursuits – plays bass in KISS tribute band, KISS America. As “Gene Simmons,” McCurry goes all out: full costume and makeup, spitting (not real) blood, and working the stage in Simmons-style platform boots. He has organized numerous music events and gotten to know many rock stars over the years, including the original and replacement members of KISS.

Coordinated under the organizational moniker “Creatures Fest,” McCurry’s KISS Cancer Goodbye I and II events raised over $100,000 to support the American Cancer Society in its battle to cure breast cancer. In 2023, McCurry was the top local Men Wear Pink fundraiser – and the seventh highest fundraiser in the U.S. – bringing in over $63,000 for the cause.

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Bruce Kulick Is ‘Disappointed But Not Surprised’ That Gene And Paul Didn’t Invite Him To KISS Farewell

During a recent interview on VRP Rocks, Bruce Kulick said he is ‘disappointed but not surprised’ that Gene Simmons and Paul Stanley left him out of the KISS farewell.

“I was disappointed that I wasn’t involved but I didn’t expect to be involved,” the guitarist revealed. “I never got the vibe. I didn’t know about the avatars, okay? That was a very last minute where I only heard a little peep about something unusual happening on the last night.”

Kulick added, “And then there it was, the beginning of ‘God Gave Rock and Roll’ with my guitar blasting through the Madison Square Garden and that’s the future. So I know they missed an opportunity not celebrating in a bigger way, the KISS history, all the years.”

“I really wish they would have mentioned all the other players, all the other very important influential people in their career but it was their show, their choice. Not mine,” the rocker reflected on Gene and Paul’s decision.

He continued, “I know the fans were as well. I got so much feedback that they didn’t understand that but it was truly the last show and they are concentrating in a very big way in this next era of KISS which would be this avatar.”

“And that with technology and what’s could be being created and coming in three years from now or whatever, who knows how incredible that could be,” Bruce said of the avatars.

This isn’t the first time Kulick talked about being invited to the farewell show. “I’ve made peace with not being included in KISS’ ‘End of the Road.’ That said, no, they never called me,” he told Guitar World.

He also noted, “I’ve always missed being in KISS, but if being in KISS meant being the Spaceman like Tommy, I wouldn’t want to do it. And if being a part of the final shows meant I had to ask to be there, I’d rather stay home. I guess that’s why Ace respects me and has always been kind to me.”

“I’m not disappointed they didn’t ask me to be in KISS again. To be in KISS again, I would have had to be the Spaceman, right? If I had done that, I would have negated my entire non-makeup era,” Kulick further shared.

Even though he left the band in 1996, Kulick performed with his KISS bandmates for a few shows over the years.

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ALICE COOPER, BAD COMPANY, JOURNEY, KISS, LED ZEPPELIN Featured In ‘Rock Visions’ Book Of Memorabilia

Genesis Publications has announced “Rock Visions: Rock ‘N’ Roll Graphics From The Print Age”, a stunning collection of memorabilia from 12 of the most legendary bands and artists of our times. Published in a highly collectable limited edition of only 500 numbered sets, each copy is individually signed by Sir Elton John and curator Rob Roth, with Artluxe copies also including a fine art print signed by Alice Cooper.

“Rock Visions” chronicles the art of 12 titans of rock: Alice Cooper, BAD COMPANY, David Bowie, Elton John, JOURNEY, KISS, LED ZEPPELIN, PINK FLOYD, QUEEN, THE ROLLING STONES, STEVE MILLER BAND and THE WHO. From original tour programs to backstage passes, concert tickets, t-shirts, posters, and record sleeves, “Rock Visions” documents the graphic legacy imprinted on modern culture by the biggest names in rock — an astounding showcase of over 1,700 rare, vintage treasures.

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18 Musicians Who Secretly Performed on Kiss Albums

If you want to know who played which instruments on a Kiss album, the liner notes will probably not tell you the complete story.

“A lot of the Kiss records, they way things are done is that sometimes the instruments that you think are members of the band are not members of the band at all, or the member of the band you think is playing the instrument,” Gene Simmons explains in the band’s 2005 book Kiss: Behind the Mask.

Below you will find a list of 17 musicians who secretly performed on one or more of the band’s studio albums, including four members who would later wind up officially joining Kiss.

Of course, to maintain the band’s mysterious image, none of these guest musicians were listed on the original credits for the albums on which they performed. “They wanted to make it seem like the group is playing everything,” Lou Reed and Alice Cooper guitarist Dick Wagner (who played on two Kiss albums) explained in Behind the Mask. “So at that particular point in their career they didn’t really want to give credits. I’m sure today they’d feel differently. There’s always a feeling of ‘It would be nice if they gave me credit.’ But to say that it made me crazy, no. I had a lot of fun with them. They’re great guys, it was fun to hang out with them.”

Dick Wagner
Destroyer (1976), Revenge (1992)

Dick Wagner, who had worked with Bob Ezrin on classic albums by Lou Reed and Alice Cooper, was recruited by the producer for some secret contributions on Kiss’ 1976 album Destroyer. He can be heard on “Beth,” “Flaming Youth,” “Great Expectations” and to Ace Frehley‘s extreme displeasure, performing the solo on “Sweet Pain.” “I had done a solo on ‘Sweet Pain’ and it was okay,” Frehley recalled in Behind the Mask. “I said, ‘Maybe I’ll come in tomorrow and take another shot at it.’ Instead… When I first played the record back, I go, ‘That’s not my fucking solo! What the fuck is this shit?’ I called Gene and tore him a new asshole. He gave me some bullshit saying, ‘We tried to call you but we couldn’t find you.’ one of many bullshit stories, lies, lies, lies.” (Frehley’s solo was restored for 2012’s Destroyer: Resurrected reissue.) When Erzin teamed up with Kiss for a third time on 1992’s Revenge, he called in Wagner once again for the solo on the ballad “Every Time I Look at You.”

Jimmy Maelen
Love Gun (1977)

Jimmy Maelen was a highly popular studio musician, playing percussion for everybody from Roxy MusicPeter GabrielDire StraitsMadonnaDuran Duran and David Bowie. His conga playing added an exotic dimension to “Almost Human” from 1977’s Love Gun.

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Bruce Kulick launches his own guitar brand for “period-correct” axes inspired by his Kiss era

Bruce Kulick has entered the world of luthiery by teaming up with Johnny DiFatta’s AXN Guitars for ‘80s-style Super Strats that pay homage to his days in Kiss.

Together, they will craft boutique, vintage-inspired instruments under the brand name Kulick Guitars, as the guitarist seeks to establish himself off the stage as much as he has on it.

Kulick enjoyed a 12-year stint in Kiss that produced eight studio albums. Last year he wrapped up a 23-year run with Grand Funk Railroad.

Upon leaving the band, he told Guitar World he wanted to return to the “powerful instruments” that weren’t appropriate in the band. To do so, he noted he had “jumped down the rabbit hole of discovery” to learn “what made my Kiss guitars so great.”

He subsequently forged a partnership with DiFatta, whose USA-made AXN guitars — and diehard passion for Kiss — made them a perfect match. The duo have already crafted re-creations of Kulick’s unmissable banana ESP M-1 and an M-1 style guitar inspired by the cover of Kiss’s 1985 album, Asylum, that features Kulick’s face. Kulick has been test-driving the guitar on the road.

“Johnny’s knowledge of these instruments is tremendous, and matches my experience as a guitar slinger of the time, inspiring many spirited conversations,” Kulick says. “My early Kiss Super Strats were Charvels with the gold decal and angle headstock, loaded with EMGs. But, after [1985’s] Animalize, I was introduced to ESP. The early M-1 models had necks that were better in my hand.”

Ultimately, he says he wants to create instruments worthy of having his name on the headstock. In addition to Kiss and Grand Funk, the guitarist has toured with Meat Loaf and Michael Bolton, and recorded with Paul Stanley and Billy Squier.

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